![]() The group acrimoniously disbanded in 1972, but over the decades, CCR emerged as spiritual forefathers for post-punk groups like The Minutemen and Hüsker Dü, unencumbered by trappings of the late ’60s. Fogerty’s soulful, raspy howl presided over stripped-down grooves leavened by amped-up guitar solos, and he complemented his indelible writing with inventive covers of early rock ’n’ roll and blues gems like “Suzie Q” and “I Put a Spell on You”. ![]() The men had never experienced the American South, yet they nonetheless built their sound upon the musical traditions of Mississippi and Louisiana, with an unadorned collision of blues, R&B and swamp rock. ![]() The flannel shirts worn by frontman John Fogerty, who wrote and sang all of CCR’s original material, came to symbolise a blue-collar aesthetic embedded in the group’s unfussy arrangements and songs celebrating working-class struggles (“Proud Mary”) and lodging anti-war plaints (“Fortunate Son”). She achieved that with the duo’s Grammy-winning cover of Creedence Clearwater Revival’s Proud Mary in 1971, though the song only amplified the pressure for success. The members of the band had played together for nearly a decade as The Blue Velvets and The Golliwogs prior to renaming themselves Creedence Clearwater Revival. This Bay Area quartet dropped seven hit albums during a remarkable five-year run starting in 1968, pushing aside the Summer of Love psychedelia that surrounded them to lay the foundations for what eventually became roots rock.
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